Show an object's dimension by learning perspective.
#Easy street draw 4 to 6 how to#
You can also read about more advanced shading techniques in How to Cross-Hatch and How to Stipple. To learn more about shading, check out How to Shade Drawings.Try blending your shadows with your finger, an eraser, or a cloth to soften them.Just below that area, add light shading then progress to very dark shadows in the bottom right corner of your page. In that case, the top-left area of your shape wouldn't have any shading. For instance, you might imagine that there's a lamp shining down from the top left corner of the page.Keep building up the shading until you have a gentle fade you have a gradient from the darkest values at the parts of the object farthest from the light source to the lightest at the area closest to the light source. Use a pencil to lightly shade in the areas farthest from your light source, while leaving the area closest to the light source unshaded. Draw a simple shape, such as a circle, and add an imaginary light source to your page. For more information on drawing a straight line, check out How to Draw Neat Lines.Ĭreate a sense of depth by shading in a shape.For instance, you might try filling a page with two-dimensional shapes such as circles, squares, or triangles. After you get comfortable with lines and curves, try drawing shapes.Try to produce wavy lines, zig-zag lines, and tangled, scribbly lines. Practice drawing lines of different lengths, thicknesses, and textures.This will help you build up your hand-eye coordination so you can create the effects you want on the page.
#Easy street draw 4 to 6 series#
Try making a series of big loops on the paper, then draw tiny swirls below that. Once you feel comfortable drawing a straight line, practice rotating your wrist as you draw, which should create a curve. Practice holding your hand at different angles to see what gives you the most control over the pencil, along with what feels most comfortable. If you're just learning to draw, start by carefully drawing the pencil over the page in a straight line. This is a must see.Start by drawing basic lines and curves. People often have a misconception of silent comedies being simply quaint. The most graphic example is the drug addict shooting up with a needle. In perhaps his first attempt at social commentary, Chaplin provides an unblinking view of ills of the society of the time. This film starts with the tramp as a down-and-out character, much in need of the new beginning he gets at the mission. Chaplin usually presented his tramp character as a happy-go-lucky figure - a vagabond by choice, not circumstance. It is unusually mature for a silent comedy of its period. His loss would be felt in the First National comedies, which rarely reached the heights of the best Mutual work.) But there is more to Easy Street than laughs. (Sadly, Campbell would die in a car accident after the completion of the Mutual comedies. Chaplin himself is at his best in this film, but where would he be without Eric Campbell, the best heavy he ever played against. The gags are inventive, and they are extremely well-played by his regular company of Mutual performers. This is the film I show when I want to introduce someone to Chaplin or silent films in general.
Mutual gave Chaplin unprecedented freedom and responded by giving them, overall, twelve of the best comedy shorts ever made. Easy Street was one of the twelve films Chaplin made for Mutual.
Using his own unorthodox tactics, Charlie eventually subdues Eric and neighborhood and they all live happily ever after. He quickly gets a job as a policeman and he finds himself assigned to Easy Street, the worst neighborhood in the city ruled by tough Eric Campbell. After attending a storefront revival service, and meeting the always delightful Edna Purviance, he decides to turn his life around. Easy Street starts with Charlie with as a poor, destitute tramp.